Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from L'innocente (1976)

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Scene Details

Duration: 87 sec..Nudity: yesCreator: CelebTA
New Filesize: Loading...Sound: yesOld Filesize: 11 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 848x360Added: 2009-04-21

Actresses in this Scene


Preview Image Laura Antonelli
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Birth Name: Laura Antonaz

Birth Date: 1941-11-28

Birth Place: Indonesia

Details

Alternate Names: Laura Antonaz, لورا آنتونلی

Physical Characteristics:

  • Eye Color: brown
  • Hair Color: brown hair

Career

First Appearances:

  • The Magnificent Cuckold (1964) as Guest with a Beehive Hairdo at the Artusis (uncredited)

Most Important Roles:

  • The Married Couple of the Year Two (1971) as Pauline de Géran
  • The Innocent (1976) as Giuliana Hermil
  • The Eroticist (1972) as suor Delicata
  • Wifemistress (1977) as Antonia De Angelis
  • Malicious (1973) as Angela
  • Department Store (1986) as Helèna Anzellotti, moglie del capo del personale
  • The Divine Nymph (1975) as Manoela Roderighi
  • Bali (1970) as Daria
  • Viuuulentemente mia (1982) as Anna Tassotti Maloni
  • Tigers in Lipstick (1979) as The Businesswoman

Career Highlights:

  • The Married Couple of the Year Two (1971)
  • The Innocent (1976)
  • The Eroticist (1972)
  • Wifemistress (1977)
  • Malicious (1973)
  • Department Store (1986)
  • The Divine Nymph (1975)
  • Bali (1970)
  • Viuuulentemente mia (1982)
  • Tigers in Lipstick (1979)

Awards

Awards:

  • Won David - Best Supporting Actress (Migliore Attrice non Protagonista) (1981)
  • Won Silver Ribbon - Best Actress (Migliore Attrice Protagonista) (1974)
  • Won Golden Globe - Best Actress (Migliore Attrice) (1975)
  • Won Golden Globe - Best Breakthrough Actress (Migliore Attrice Rivelazione) (1974)
  • Won Golden Goblet - Best Actress (Migliore Attrice) (1973)

Full Biography

Laura Antonelli (née Antonaz; 28 November 1941 – 22 June 2015) was an Italian film actress, who appeared in 45 films between 1964 and 1991, and she is best known for the movie Malizia.

Antonelli was born Laura Antonaz in Pola, Kingdom of Italy (in Croatian, Pula), former capital of Istria. After the war, her parents fled what was then Yugoslavia, lived in Italian refugee camps and eventually settled in Naples, where her father found work as a hospital administrator. Antonelli had a childhood interest in mathematics, but as a teenager, she became proficient at gymnastics. In an interview for The New York Times, she recalled, "My parents had made me take hours of gym classes during my teens ... They felt I was ugly, clumsy, insignificant and they hoped I would at least develop some grace. I became very good, especially in rhythmical gym, which is a kind of dance."

Setting aside ambitions to make a career in mathematics, she graduated as a gymnastics instructor. She moved to Rome, where she became a secondary-school gym teacher and was able to meet people in the entertainment industry, who helped her find modelling jobs.

Antonelli's earliest engagements included Italian advertisements for Coca-Cola. In 1965, she made her first feature-film appearance in Le sedicenni, although her performance went uncredited. Her American debut came in 1966 in Dr. Goldfoot and the Girl Bombs. Other roles followed; her breakthrough came in 1973's Malizia. She appeared in a number of sex farces such as Till Marriage Do Us Part/Mio Dio come sono caduta in basso!.

She worked in more serious films, as well, including Luchino Visconti's last film, The Innocent (1976). In Wifemistress, a romance film of 1977, she played a repressed wife experiencing a sexual awakening. Later, she appeared in Passione d'Amore (1981). From 1986 she mostly worked on Italian television series. Antonelli's final film role was in the sequel Malizia 2000 (1991), following which she retired. She won the Italian National Syndicate of Film Journalists Award, Nastro d'Argento, in 1974 for Malizia.

Antonelli was married to publisher Enrico Piacentini but they divorced. From 1972 to 1980, she was the companion of actor Jean-Paul Belmondo.

On 27 April 1991, cocaine was found during a police raid on Antonelli's home. She was subsequently convicted of possession and dealing and sentenced to house arrest. She spent ten years appealing the conviction, which was eventually overturned. In 2006, the Italian court of appeals ruled in favor of Antonelli and ordered the Ministry of Justice to pay the actress 108,000 euros.


About the Movie: L'innocente (1976)

Poster for L'innocente (1976)
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Release Year: 1976

Nation: France, Italy

Alternative Title: The Innocent, The Intruder, El inocente, De onschuldige, Невинният, O Inocente, Den uskyldige, El inocente, Rakkaus Roomassa, Udanashaulo, O athoos, Nevina i čista, Az ártatlan, Inosento, Uskyld, Niewinne, O Intruso, Nevinost, Udanashaulo, Невинный, Masumlar, Die Unschuld

Director: Luchino Visconti

Writer: Enrico Medioli, Gabriele D'Annunzio, Luchino Visconti, Suso Cecchi D'Amico

Production & Genre

Producer(s): Producer: Jacques Leitienne, Angelo Rizzoli Jr., Andrea Rizzoli, René-Marie Bobichon, Giovanni Bertolucci

Companies: Francoriz Production, Les Films Jacques Leitienne, Imp.Ex.Ci., Rizzoli Film

Genre: Drama, Film Based On Literature, Romance

Awards & Similar

Awards:

  • 1 win & 1 nomination

Similar:

  • Desert Cathedral (2014)
  • Harakiri (1962)
  • Outside Providence (1999)
  • The Butterfly Effect 2 (2006)
  • Dead Like Me: Life After Death (2009)

Keywords

Story

L'innocente, directed by Luchino Visconti in his final film, is an adaptation of Gabrielle d'Annunzio's novella set in turn-of-the-century Italy. The story revolves around Tullio (played by Giancarlo Giannini), a wealthy aristocrat known for his immoral excesses and sexual double standards. He is married to Giuliana (played by Laura Antonelli), a sensitive woman who lives a tormented life due to her husband's chauvinism. Tullio maintains a cunning and possessive mistress, Teresa Raffo (played by Jennifer O'Neill), with whom he shares his wife's letters without Giuliana's knowledge. The film explores the dynamics of this triangle as well as Tullio's psychosis and insatiable lust.

Summary

L'innocente marks Visconti's return to period dramas after his neorealist period, providing a critical perspective on the immoral excesses of the aristocracy in early 20th-century Italy. The film offers an insightful commentary on the societal norms and expectations of that era, particularly regarding women and their roles within marriages. Despite being Visconti's last film, it remains a significant work showcasing his distinctive style and exploration of social issues.