Scene from Emanuelle nera (1975)
Scene Details
| Duration: 1703 sec.. | Nudity: xxx | Creator: zorg |
| New Filesize: Loading... | Sound: yes | Old Filesize: 1,600 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1920x1080 | Added: 2024-04-23 |
Actresses in this Scene
Birth Name: N/A
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Alternate Names: Isabel Marchal, Isabelle Marchal
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Isabelle Marchall, known professionally as Isabelle Eberlin, was born on April 10, 1948, in Saint-Omer, France. She worked as a journalist and photographer, adopting the pseudonym 'Emanuelle' for her writings. Eberlin's first film appearance was in 'Emanuelle nera' (1975), where she portrayed the titular character, Emanuelle Jordan, a journalist who travels to Africa on assignment. During her time there, she becomes entangled in a complex relationship with her hosts, Ann and Gianni Danieli, leading to questions about her own racial and sexual identity.
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Alternate Names: Karyn Schubert, Karin Shubert, Karen Schubert
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Karin Schubert (born 26 November 1944) is a German actress. She appeared in film roles since 1970 and became a pornographic actress in the 1980s.
Her early roles included the Spaghetti Western Compañeros (1970) and Gérard Oury's film La folie des grandeurs (1971). In 1972, she appeared in the films Bluebeard, directed by Edward Dmytryk, and Yves Boisset's L'Attentat. The same year, she appeared along with Edwige Fenech and Pippo Franco in the sex comedy Ubalda, All Naked and Warm. She then started to appear in adventure films, especially with Italian actor George Eastman. The first film of this kind was a Three Musketeers Spaghetti Western adaptation, Tutti per uno...botte per tutti (Three Musketeers of the West) in 1973, and she also appeared in the crime drama Rudeness (1975), and as a Russian agent in the spy film Missile X: The Neutron Bomb Incident (1978) opposite Peter Graves and Curd Jürgens. In 1975 she appeared in the hit film Black Emanuelle starring Laura Gemser which drew the attention of director Joe d'Amato, and began to take part in his erotic films, including Emanuelle Around the World in 1977 where she played Cora Norman, the counterpart of Gemser.
Gradually losing demand as an actress in the mid-1980s, she moved to Spain, but also failed to establish herself there. Her personal problems also contributed to her career problems: her marriage broke down, and her son became addicted to drugs, becoming so out of control that his mother became the target of his violent outbursts. To earn money for his treatment, Schubert started posing for pornographic magazines, but when the money from this ran out, in 1985 at the age of 40, she also began starring in hardcore pornography films. Using her notoriety as leverage, she signed a contract with a film company that paid her an annual salary of 180,000 German marks, to perform in films mostly in Italy and West Germany.
In 1994, 50-year-old Schubert left pornography, having starred in 24 films of this genre. That same year she tried to commit suicide by taking barbiturates with vodka, but was rescued by neighbors. Two years later, neighbors found her unresponsive in her car, having attempted suicide a second time by carbon monoxide poisoning.
Birth Name: Laurette Marcia Gemser
Birth Date: 1950-10-05
Birth Place: Surabaya, East Java, Indonesia
Details
Alternate Names: Moira Chen, Laurette Marcia Gemser, 劳拉·贾姆瑟, Emanuelle, لورا جمسر
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Laurette Marcia "Laura" Gemser (born October 5, 1950, Java, Indonesia) is a Dutch-based actress of Indo descent. She is known for her work with director Joe D'Amato and Bruno Mattei, in particular, for doing a set of exploitation-style and Black Emmanuelle films. Gemser has also been credited as Moira Chen, most notably in Love Is Forever (1983).
Gemser left Indonesia in 1955, at the age of four, and moved with her parents to the Netherlands. She grew up in the Dutch city of Utrecht, where she attended the MULO Regentesseschool high school. After that, she attended the Artibus Art School in Utrecht, where she specialized in fashion design. In 1975 she moved to Italy.
After modelling in various magazines in the Netherlands and Belgium, Gemser began to take part in some soft erotic films. She became internationally recognised after starring in a number of Black Emanuelle films in the 1970s.
Her most mainstream and well-received role was as Laotian refugee Keo Sirisomphone in Michael Landon's 1983 American television movie, Love Is Forever, in which she was credited as Moira Chen.[citation needed] Gemser continued to do films: at times, she worked with her actor husband, Gabriele Tinti. In the 1990s, she left the movies to do costume designing for film. In addition, she lost her husband, who died of cancer in 1991. Today she lives in retirement and low profile in Rome, but she is still remembered as one of the many beautiful women who played the sensual adventuress Emmanuelle.
About the Movie: Emanuelle nera (1975)
Alternative Title: Black Emanuelle, 黑人艾曼纽, Musta Emanuelle, Black Emanuelle en Afrique, Black Emmanouella, Wild Emmanuelle, Fekete Emanuelle, Emanuelle e Siahpoost, 愛のエマニエル, Emanuelle negra No. 1, Czarna Emanuelle, Чёрная Эммануэль, Emanuelle's Holiday
Director: Bitto Albertini
Writer: Ambrogio Molteni, Bitto Albertini
Production & Genre
Producer(s): Producer: Mario Mariani
Companies: San Nicola Produzione Cinematografica, Emaus Films S.A., Flaminia Produzioni Cinematografiche
Genre: Drama, Pornographic Film
Awards & Similar
Awards: N/A
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Keywords
Keywords: photographer, africa, voyeur, erotic movie
Story
In 'Emanuelle nera', journalist and photographer Emanuelle travels to Africa for an assignment. She stays with a troubled married couple, Ann and Gianni Danieli. During her stay, Emanuelle becomes involved in affairs with both of them. After these encounters, Emanuelle flees Africa but is pursued by Gianni, who had initially rejected her advances.
Summary
Directed by Bitto Albertini in 1975, 'Emanuelle nera' is a drama-pornographic film that explores themes of racial and sexual identity through the character of Emanuelle. The movie is notable for its exploration of complex relationships and societal norms.