Actress: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Movie Title: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scene from Malizia (1973)

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Scene Details

Duration: 77 sec..Nudity: yesCreator: Jotell
New Filesize: Loading...Sound: yesOld Filesize: 12 mb
File Format: AOMedia Video 1 (WebM/AV1)Resolution: 720x412Added: 2005-12-15

Actresses in this Scene


Preview Image Laura Antonelli
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Birth Name: Laura Antonaz

Birth Date: 1941-11-28

Birth Place: Indonesia

Details

Alternate Names: Laura Antonaz, لورا آنتونلی

Physical Characteristics:

  • Eye Color: brown
  • Hair Color: brown hair

Career

First Appearances:

  • The Magnificent Cuckold (1964) as Guest with a Beehive Hairdo at the Artusis (uncredited)

Most Important Roles:

  • The Married Couple of the Year Two (1971) as Pauline de Géran
  • The Innocent (1976) as Giuliana Hermil
  • The Eroticist (1972) as suor Delicata
  • Wifemistress (1977) as Antonia De Angelis
  • Malicious (1973) as Angela
  • Department Store (1986) as Helèna Anzellotti, moglie del capo del personale
  • The Divine Nymph (1975) as Manoela Roderighi
  • Bali (1970) as Daria
  • Viuuulentemente mia (1982) as Anna Tassotti Maloni
  • Tigers in Lipstick (1979) as The Businesswoman

Career Highlights:

  • The Married Couple of the Year Two (1971)
  • The Innocent (1976)
  • The Eroticist (1972)
  • Wifemistress (1977)
  • Malicious (1973)
  • Department Store (1986)
  • The Divine Nymph (1975)
  • Bali (1970)
  • Viuuulentemente mia (1982)
  • Tigers in Lipstick (1979)

Awards

Awards:

  • Won David - Best Supporting Actress (Migliore Attrice non Protagonista) (1981)
  • Won Silver Ribbon - Best Actress (Migliore Attrice Protagonista) (1974)
  • Won Golden Globe - Best Actress (Migliore Attrice) (1975)
  • Won Golden Globe - Best Breakthrough Actress (Migliore Attrice Rivelazione) (1974)
  • Won Golden Goblet - Best Actress (Migliore Attrice) (1973)

Full Biography

Laura Antonelli (née Antonaz; 28 November 1941 – 22 June 2015) was an Italian film actress, who appeared in 45 films between 1964 and 1991, and she is best known for the movie Malizia.

Antonelli was born Laura Antonaz in Pola, Kingdom of Italy (in Croatian, Pula), former capital of Istria. After the war, her parents fled what was then Yugoslavia, lived in Italian refugee camps and eventually settled in Naples, where her father found work as a hospital administrator. Antonelli had a childhood interest in mathematics, but as a teenager, she became proficient at gymnastics. In an interview for The New York Times, she recalled, "My parents had made me take hours of gym classes during my teens ... They felt I was ugly, clumsy, insignificant and they hoped I would at least develop some grace. I became very good, especially in rhythmical gym, which is a kind of dance."

Setting aside ambitions to make a career in mathematics, she graduated as a gymnastics instructor. She moved to Rome, where she became a secondary-school gym teacher and was able to meet people in the entertainment industry, who helped her find modelling jobs.

Antonelli's earliest engagements included Italian advertisements for Coca-Cola. In 1965, she made her first feature-film appearance in Le sedicenni, although her performance went uncredited. Her American debut came in 1966 in Dr. Goldfoot and the Girl Bombs. Other roles followed; her breakthrough came in 1973's Malizia. She appeared in a number of sex farces such as Till Marriage Do Us Part/Mio Dio come sono caduta in basso!.

She worked in more serious films, as well, including Luchino Visconti's last film, The Innocent (1976). In Wifemistress, a romance film of 1977, she played a repressed wife experiencing a sexual awakening. Later, she appeared in Passione d'Amore (1981). From 1986 she mostly worked on Italian television series. Antonelli's final film role was in the sequel Malizia 2000 (1991), following which she retired. She won the Italian National Syndicate of Film Journalists Award, Nastro d'Argento, in 1974 for Malizia.

Antonelli was married to publisher Enrico Piacentini but they divorced. From 1972 to 1980, she was the companion of actor Jean-Paul Belmondo.

On 27 April 1991, cocaine was found during a police raid on Antonelli's home. She was subsequently convicted of possession and dealing and sentenced to house arrest. She spent ten years appealing the conviction, which was eventually overturned. In 2006, the Italian court of appeals ruled in favor of Antonelli and ordered the Ministry of Justice to pay the actress 108,000 euros.


About the Movie: Malizia (1973)

Poster for Malizia (1973)
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Release Year: 1973

Nation: Italy

Alternative Title: Malice, Malicious

Director: Salvatore Samperi

Writer: Alessandro Parenzo, Ottavio Jemma, Salvatore Samperi

Production & Genre

Producer(s): Producer: Silvio Clementelli

Companies: Clesi Cinematografica, DDL Cinematografica

Genre: Comedy, Comedy Film, Coming-Of-Age Fiction, Drama, Romance

Awards & Similar

Awards:

  • 4 wins & 3 nominations

Similar:

  • My Uncle Benjamin (1969)
  • In Bed (2005)
  • Doctor Dolittle (1998)
  • Earth Girls Are Easy (1988)
  • Mallrats (1995)

Keywords

Story

Malizia follows a widower and his two sons who become infatuated with Angela, their new housekeeper played by Laura Antonelli. The youngest son, Andrea, initially falls for her innocence and beauty, while the older son, Ferdinando, sees Angela as an object of sexual desire. Their father, Don Luigi, is also attracted to Angela but maintains a more respectful distance. Each man pursues Angela in his own way, with Andrea trying to woo her through sincere affection, Ferdinando attempting to seduce her with gifts and advances, and Don Luigi offering her kindness and protection. Eventually, Angela yields to Ferdinando's advances, leading to tension within the household.

Summary

Malizia is a 1973 Italian film directed by Salvatore Samperi, blending elements of comedy, drama, romance, and coming-of-age fiction. The movie explores themes of love, lust, and power dynamics through the interactions between Angela and the three men in her life. Set amidst the scenic backdrop of Sicily, the story offers a commentary on the societal norms and expectations surrounding women's roles and sexuality during that time.